records issued to close friends of the producers in 1933, and they are glorious-you can experience the score that changed the way filmmakers and studios thought of film music, as it was conducted at the time, raw, with all of Steiner's nuances as conductor intact. Tracks 12-20, running 24 minutes, are, indeed, Max Steiner's unmixed pre-mastering music tracks, preserved from a group of complimentary 78 r.p.m. Schoedsack's King Kong, from 1933, although it is slightly confusing on first glance. It's difficult to criticize this CD release, of the original music tracks from Merian C.
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